Science concepts:
vectors, torque, Newton’s 2nd and 3rd laws of motion,
static structures
Striking is a quintessential part of most martial arts. Different martial arts strike
differently. Knife hand chops, ridge
hand strikes, hammer fist strikes, backhands, punches, kicks, elbows, knees,
head butts…the list goes on. There are
seemingly many kinds of strikes, but they really only boil down to a handful of
different categories. As Hock Hochheim says,
“a strike is either going to be straight or curving and either committed or
hit-and-retract.” Here, I’m only
concerned with the actual structure of the attack. So, I’m not going to worry about whether a
strike is committed or non-committed.
For any strike to be effective, you need the correct
structure. Otherwise, some of your
effort is wasted. There are quite of a
few scientific concepts involved here.
So, let’s dive in.
The Science
Punching is what most people are familiar with. So I’ll use a straight punch and a hook punch
as my examples, but know that the same principles apply to kicks. Elbows and knees work on the same principles
too, and they’re even easier to apply because there are fewer joints involved.
The Straight Punch
Let’s start from the business end of the punch: the
knuckles. How should the knuckles make
contact with the target? Having already
covered vectors, I’ll bet you can make a good guess. As with many problems involving vectors, we
define our axes first.
Here, the axis
that is parallel to surface of the contact point is the “wasted” axis (red axis), and the
axis that is perpendicular to the surface of the contact point is the “useful”
axis (green axis). Now, break the vector of the
incoming fist’s motion (blue vector) into components along these axes (red and green components...take note of my superbly mediocre mspaint skills). Hopefully, the axis names make the point for
me here. Any motion that is parallel to
the surface is wasted. This kind of
motion is what produces strikes that glance off of the target. Only the perpendicular motion affects the
target. So, this is our first structural
insight: hit perpendicular to the surface for maximum effect.
When that perfectly landed punch makes contact, the target
impedes the motion of the fist. This is
a phenomenon described by Newton’s 3rd law of motion, which states
that for every action there is an equal but opposite reaction. Informally, the target pushes back on the
fist. Where does that force go? That depends on your structure. Let’s now focus on the next joint in this
chain of effects, the wrist. Just like
the knuckles ran into the face, the forearm runs into the hand. We can do the same thing that we did early,
define our axes, break the incoming vector into components, and see how much is
useful and how much is wasted.
I had mostly done Taekwondo as my primary martial art all
the way through college. After college,
my roommate and I got a punching bag, the kind that has a plastic stand that
you fill with water. I had spent years
kicking and punching the air and always pulling my strikes when sparring
because control was paramount. I was
excited to finally get to hit something and see what kind of damage I could
do. We filled it up with water and I
started hitting full force. Kick, kick,
kick, punch……..ow! For the first time
ever, I punched something as hard as I could.
At that speed and force, any little structural flaw was going to be felt
in a big way. Like the picture above, my
wrist was bent down, ever so slightly, but that meant that the force from my
forearm didn’t transfer into my hand. It
sent my forearm past my hand, but my knuckles were firmly planted on the
bag. Therefore…sprained wrist. It’s not a mistake I’ve made twice. Lesson learned: align your forearm bones with your hand bones.
This principle applies all the way up the arm. Keep things in line if you want the force to
transfer properly. This is also the
reason that martial arts instructors will tell students to extend their arms
when doing straight punches because it puts the strain on the bones rather than
the muscles, which might give way.
This is all well and good, but the astute observer will note
that the force transfer doesn’t stop at the shoulder. It has to go
somewhere. Well, it wants to take your
shoulder straight back. To prevent this
from happening, we use our core muscles.
This is where all the linear force gets converted, at least partially,
into torque. I say “partially” because
it depends on the angle of your spine relative to direction of the punch. If you were leaning forward a bit, then some
of the force transfers straight down the spine and the rest of it tries to
torque the spine backwards.
Light blue is linear force transfer; Yellow is linear force that is converted to torque (about the hips). |
But we’re still not done.
Remember Newton’s 3rd law.
If the abdominal muscles are torquing the torso forward, what are they
basing off of to apply that torque? And
where does that linear force that went straight down the spine go? The answer to both of these is “the
legs”. Now, just like the arms, if the
structure is right, then the force gets transferred through the bones. If not, then the muscles have to apply torque
to make sure that you don’t fall over.
In this stance, I'd have to apply virtually all of the torque with my toes to counteract the force of the punch. The idea is so ridiculous that I can't even keep a straight face for the picture. |
Where does the buck stop?
In the ground. The foot does the
final transfer of linear force and torque into the ground, and the massive size
of the planet takes care of the rest. I may have covered
the structure of the punch from fist to foot, but the punch is produced in the
opposite way. The power or base of the
punch comes from the ground. If you have
a good structure that transfers the reaction force from the contact back into
the ground, then you’re not going to buckle.
His face will.
This is another key point: ultimately, you want your punch to come from the ground.
The Hook Punch
There are actually a lot of variations on hook punches for
various situations, but I’m going to cover the one that allows for the greatest
bone structure involvement. Just like
the straight punch, you want to make contact perpendicular to the surface. Similarly, you still need your forearm and
wrist aligned to minimize the amount of forearm muscles you need to use to stop
yourself from spraining your wrist, like me.
For those things to be true, your knuckles, wrist, and elbow need to be
lined up. The elbow is what pushes the
fist into the target.
Blue is the applied force (note the alignment). Yellow represents the consequential torque. Orange, again, represents the counter-torque. |
This is where things get different from the straight
punch. At this point, it’s all about torque,
which is going to come from the muscles.
The amount that the elbow is bent is very important. If the elbow is fairly extended, then the
bicep needs to supply enough torque to transfer the force into the fist without
the elbow buckling under the impact. If
the elbow is too bent, then we lose velocity, the ability for the elbow to push
the fist, and the tricep muscle needs to engage to prevent the elbow from
buckling under the impact. To avoid
these two extremes, go to the middle with a perfect 90 degree bend. (NOTE:
I am not claiming that hook punches done without this 90 degree bend
will not be effective. I’m just making a
claim about ideal bone alignment for transferring force. If having to engage your bicep is worth it to
you to gain some range on your hook, then by all means swing for the fences. Just be aware of the trade off.)
This makes things easy on the arm muscles, but just like the
force in the last example, the torque has to go somewhere. The pectoral muscles end up being next in
line. This isn’t so bad since it’s a
very large muscle, comparatively speaking.
This means that the torso now feels the torque, and just like the last
example, the torque ultimately ends up in the feet and the ground. The reaction force goes to the elbow and converts to torque (because of the 90 degree angle). That torque is applied to the shoulder via the humerus. The shoulder and chest muscles counter that torque, which then results in a torque in the hips that also need to be countered. The feet counter that torque and the ground takes it from there.
Having good contact with the ground is essential. Imagine doing a hook punch on someone while
you’re standing on ice or while wearing roller skates. The punch would end up rotating your body
rather that transferring all of that motion into the target.
The Other Side
Knowing the proper structure to deliver a strike has another
benefit. It allows you to notice when
your opponent doesn’t have proper
structure for absorbing a strike. The
phrase “caught on your heels” is used in boxing to describe a structure that is
leaning back rather than sinking down and forward. If you’re leaning back, then there’s no way
to absorb an incoming strike. You just
take it and get knocked over. We don’t
want to be receiving a strike in that situation, but we definitely want to be
delivering one if the other guy is in
that situation. Watch for poor structure
in your opponents to determine the best time to deliver a strike. In another post, I’ll cover how to produce
poor structure in your opponents.
Structure
Tip
Some of you may have seen or heard of the “sun fist” (not to
be confused with Sunkist).
Good for punching |
Good for thirst quenching Also, "it's different because of the spelling" (Eddie Izzard) |
(Actually, there is not a nice one-to-one
relationship between the name “sun fist” and my intention illustrated here. If you call this something else, then just
assume that’s what I meant and don’t get hung up on nomenclature.) I saw
someone do this in a class I was teaching and tried to correct him because I
thought he was doing a less extreme version of this:
He then had me make a fist and
said he would try to bend my wrist and that I was to prevent him from doing
so. He was able to bend it fairly
easily. Then he had me make a sun fist
and repeat the exercise. He couldn’t bend
my wrist this time. It wasn’t just that
he wasn’t trying as hard either. I
actually felt the structural difference.
It felt stronger. To confirm, I
repeated the exercise with several other people. This time, I was the one trying to bend the
wrist. Sure enough, the sun fist was
stronger. It almost seemed like magic. Seeing as how I wasn’t prone to believing
about the mystical and mysterious aspects of martial arts, I spent a fair chunk
of the rest of the class analyzing my hand.
Then I realized why the sun fist was working. Luckily, my hands are fairly lean, which
revealed the essential anatomy. It turns
out that the sun fist, by positioning the thumb knuckle (the one by the web of
the hand) up closer to the back of the hand, allowed for an additional tendon
to tighten and provide support. In
particular, the extensor pollicis longus tendon.
This made me happy because it meant that I
didn’t have to tuck my thumb in, which I still didn’t like, even though it’s
only slightly in the sun fist. I just
position my thumb alongside my index finger and flex that tendon.
The thumb is pressed up against the index finger. Note you can really see the flex of the extensor pollicus longus tendon here. |
If only I’d known this before I sprained my wrist! This little tip will allow the force of your
punches to transfer through your knuckles better and avoid bending your
wrist. I believe this is the secret to the
attribute known in MMA as “heavy hands”.
Sure, some guys just have meatier hands, but the weight difference is
actually quite minuscule. The ability to
punch with good structure is a much bigger factor than a couple of ounces of
weight difference.
Conclusion
By applying this knowledge, you could really punch in just
about any wacky way you want as long as your structure can transfer the force
of the punch into the target. This
knowledge should also affect how you hit various targets. The head can be a tricky target. Getting that perpendicular shot can be
difficult when your opponent is bobbing, weaving, and shuffling around. Knowing what it takes to make a good punch
(and a bad one!), you can choose at the last moment whether or not to follow
through or pull back to avoid injuring yourself. Traditional martial artists are always
talking about having good structure and stances, and they’re right. Though the set of good stances is much bigger
than most people realize and it changes with the situation. Learn to feel your way through good structure
and you’ll do well.
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